“Well, if you could tell Aleksey about it, surely you can tell us too.”

“When I arose to lock the door after him, I suddenly called to mind a picture I had noticed at Rogojin’s in one of his gloomiest rooms, over the door. He had pointed it out to me himself as we walked past it, and I believe I must have stood a good five minutes in front of it. There was nothing artistic about it, but the picture made me feel strangely uncomfortable. It represented Christ just taken down from the cross. It seems to me that painters as a rule represent the Saviour, both on the cross and taken down from it, with great beauty still upon His face. This marvellous beauty they strive to preserve even in His moments of deepest agony and passion. But there was no such beauty in Rogojin’s picture. This was the presentment of a poor mangled body which had evidently suffered unbearable anguish even before its crucifixion, full of wounds and bruises, marks of the violence of soldiers and people, and of the bitterness of the moment when He had fallen with the cross--all this combined with the anguish of the actual crucifixion.
The officer, tearing himself from the prince’s grasp, pushed him so violently backwards that he staggered a few steps and then subsided into a chair.
“No, I don’t think so,” said the prince, thoughtfully; “it’s too late for that--that would be dangerous now. No, no! Better say nothing about it. Be nice with him, you know, but don’t show him--oh, _you_ know well enough--”

“What? Who forbade you?”

Undoubtedly the fact that he might now come and see Aglaya as much as he pleased again was quite enough to make him perfectly happy; that he might come and speak to her, and see her, and sit by her, and walk with her--who knows, but that all this was quite enough to satisfy him for the whole of his life, and that he would desire no more to the end of time?

The crash, the cry, the sight of the fragments of valuable china covering the carpet, the alarm of the company--what all this meant to the poor prince it would be difficult to convey to the mind of the reader, or for him to imagine.

“Lef Nicolaievitch,” said Rogojin, after a pause, during which the two walked along a little further, “I have long wished to ask you, do you believe in God?”
At this idea, he burst out laughing all at once, in quite unaffected mirth, and without giving any explanation.
“Whom did you tell about it?”
This last item of news, which disturbed Lizabetha Prokofievna more than anything else, was perfectly true. On leaving Nastasia’s, Aglaya had felt that she would rather die than face her people, and had therefore gone straight to Nina Alexandrovna’s. On receiving the news, Lizabetha and her daughters and the general all rushed off to Aglaya, followed by Prince Lef Nicolaievitch--undeterred by his recent dismissal; but through Varia he was refused a sight of Aglaya here also. The end of the episode was that when Aglaya saw her mother and sisters crying over her and not uttering a word of reproach, she had flung herself into their arms and gone straight home with them.
“No, he went to church, but to tell the truth he really preferred the old religion. This was his study and is now mine. Why did you ask if he were an Old Believer?”
“Delighted, I’m sure!--I’ll come back directly, gentlemen,--sit down there with the others, please,--excuse me one moment,” said the host, getting away with difficulty in order to follow Evgenie.
“What nonsense!” Lebedeff’s nephew interrupted violently.
The young officer, forgetting himself, sprang towards her. Nastasia’s followers were not by her at the moment (the elderly gentleman having disappeared altogether, and the younger man simply standing aside and roaring with laughter).
“Especially as he asked himself,” said Ferdishenko.
“Well, I’ll come, I’ll come,” interrupted the prince, hastily, “and I’ll give you my word of honour that I will sit the whole evening and not say a word.”

Such a feeling, we must suppose, overtook Rogojin at this moment, and saved the prince’s life. Not knowing that it was a fit, and seeing his victim disappear head foremost into the darkness, hearing his head strike the stone steps below with a crash, Rogojin rushed downstairs, skirting the body, and flung himself headlong out of the hotel, like a raving madman.

“Our man-servant?” exclaimed several voices at once.

“I--I,” the general continued to whisper, clinging more and more tightly to the boy’s shoulder. “I--wish--to tell you--all--Maria--Maria Petrovna--Su--Su--Su.......”
“No, I don’t think so,” said the prince, thoughtfully; “it’s too late for that--that would be dangerous now. No, no! Better say nothing about it. Be nice with him, you know, but don’t show him--oh, _you_ know well enough--”
Besides tea and coffee, cheese, honey, butter, pan-cakes of various kinds (the lady of the house loved these best), cutlets, and so on, there was generally strong beef soup, and other substantial delicacies.

“Oughtn’t-oughtn’t we to secure her?” asked the general of Ptitsin, in a whisper; “or shall we send for the authorities? Why, she’s mad, isn’t she--isn’t she, eh?”

The prince jumped up in alarm at Aglaya’s sudden wrath, and a mist seemed to come before his eyes.
“But I really don’t know which of my actions is the worst,” said the lively actress.
“No, I know nothing whatever about it. I assure you I had nothing at all to do with it.”
“You drunken moujik,” said Daria Alexeyevna, once more. “You ought to be kicked out of the place.”

“I took it out and had a look at it; it’s all right. I’ve let it slip back into the lining now, as you see, and so I have been walking about ever since yesterday morning; it knocks against my legs when I walk along.”

By this time some of the visitors had disappeared.
On the particular morning on which our story has opened, the family had assembled in the dining-room, and were waiting the general’s appearance, the latter having promised to come this day. If he had been one moment late, he would have been sent for at once; but he turned up punctually.
He had fallen in an epileptic fit.
She arranged her daughter’s hair, which was not in the least disordered, and gave her a kiss. This was all that she had called her for.
Rogojin continued to laugh loudly. He had listened to the prince’s speech with curiosity and some satisfaction. The speaker’s impulsive warmth had surprised and even comforted him.
“You know yourself it does not depend on me.”
“It was.”
“Yes, sir--on that very spot.” The prince gazed strangely at Lebedeff. “And the general?” he asked, abruptly. “And just fancy, this infamy pleased them, all of them, nearly. Only the children had altered--for then they were all on my side and had learned to love Marie.

When Keller seized the would-be suicide, the latter fell forward into his arms, probably actually believing that he was shot. Keller had hold of the pistol now. Hippolyte was immediately placed in a chair, while the whole company thronged around excitedly, talking and asking each other questions. Every one of them had heard the snap of the trigger, and yet they saw a live and apparently unharmed man before them.

Nastasia Philipovna, observing his woe-begone expression, suddenly burst out laughing.

For some reason or other, the sisters liked the idea of the prince. They did not even consider it very strange; in a word, they might be expected at any moment to range themselves strongly on his side. But both of them decided to say nothing either way. It had always been noticed in the family that the stronger Mrs. Epanchin’s opposition was to any project, the nearer she was, in reality, to giving in.

At the end of that time, and about four months after Totski’s last visit (he had stayed but a fortnight on this occasion), a report reached Nastasia Philipovna that he was about to be married in St. Petersburg, to a rich, eminent, and lovely woman. The report was only partially true, the marriage project being only in an embryo condition; but a great change now came over Nastasia Philipovna. She suddenly displayed unusual decision of character; and without wasting time in thought, she left her country home and came up to St. Petersburg, straight to Totski’s house, all alone.
“Forty thousand, then--forty thousand roubles instead of eighteen! Ptitsin and another have promised to find me forty thousand roubles by seven o’clock tonight. Forty thousand roubles--paid down on the nail!”

“Well, sir, I suppose you wanted to make me look ridiculous?”

“Nor heard him?”

As they went downstairs the general regretted repeatedly that he had failed to introduce the prince to his friends.

Nastasia Philipovna’s eyes were flashing in a most unmistakable way, now; and her lips were all a-quiver by the time Totski finished his story.

“Don’t be cross, Daria Alexeyevna!” laughed Nastasia. “I was not angry when I spoke; I wasn’t reproaching Gania. I don’t know how it was that I ever could have indulged the whim of entering an honest family like his. I saw his mother--and kissed her hand, too. I came and stirred up all that fuss, Gania, this afternoon, on purpose to see how much you could swallow--you surprised me, my friend--you did, indeed. Surely you could not marry a woman who accepts pearls like those you knew the general was going to give me, on the very eve of her marriage? And Rogojin! Why, in your own house and before your own brother and sister, he bargained with me! Yet you could come here and expect to be betrothed to me before you left the house! You almost brought your sister, too. Surely what Rogojin said about you is not really true: that you would crawl all the way to the other end of the town, on hands and knees, for three roubles?”
“As lovely as _who?_” said Mrs. Epanchin. “As _Nastasia Philipovna?_ Where have you seen Nastasia Philipovna? What Nastasia Philipovna?”
“You’ve lost the game, Gania” he cried, as he passed the latter. “When I arose to lock the door after him, I suddenly called to mind a picture I had noticed at Rogojin’s in one of his gloomiest rooms, over the door. He had pointed it out to me himself as we walked past it, and I believe I must have stood a good five minutes in front of it. There was nothing artistic about it, but the picture made me feel strangely uncomfortable. It represented Christ just taken down from the cross. It seems to me that painters as a rule represent the Saviour, both on the cross and taken down from it, with great beauty still upon His face. This marvellous beauty they strive to preserve even in His moments of deepest agony and passion. But there was no such beauty in Rogojin’s picture. This was the presentment of a poor mangled body which had evidently suffered unbearable anguish even before its crucifixion, full of wounds and bruises, marks of the violence of soldiers and people, and of the bitterness of the moment when He had fallen with the cross--all this combined with the anguish of the actual crucifixion.

Rogojin stared intently at them; then he took his hat, and without a word, left the room.

II.

“Just a couple of words, prince, if you’ll excuse me. Don’t blab over _there_ about what you may see here, or in this house as to all that about Aglaya and me, you know. Things are not altogether pleasant in this establishment--devil take it all! You’ll see. At all events keep your tongue to yourself for _today_.”

“What do you know of my position, that you dare to judge me?” cried Nastasia, quivering with rage, and growing terribly white.
“Yes.”

He had contemplated Aglaya until now, with a pleasant though rather timid smile, but as the last words fell from his lips he began to laugh, and looked at her merrily.

The prince gave a short narrative of what we have heard before, leaving out the greater part. The two ladies listened intently.

“Quite so, I take no notice of it. Ha, ha! and think of this, prince, my pockets are always strong and whole, and yet, here in one night, is a huge hole. I know the phenomenon is unworthy of your notice; but such is the case. I examined the hole, and I declare it actually looks as though it had been made with a pen-knife, a most improbable contingency.”

“Did you find out anything?”