“It _is_ true, it _is_ true,” cried Aglaya, almost beside herself with rage.
“Yet I remember all he talked about, and every word we said, though whenever my eyes closed for a moment I could picture nothing but the image of Surikoff just in the act of finding a million roubles. He could not make up his mind what to do with the money, and tore his hair over it. He trembled with fear that somebody would rob him, and at last he decided to bury it in the ground. I persuaded him that, instead of putting it all away uselessly underground, he had better melt it down and make a golden coffin out of it for his starved child, and then dig up the little one and put her into the golden coffin. Surikoff accepted this suggestion, I thought, with tears of gratitude, and immediately commenced to carry out my design.
“I am very glad indeed to have met you here, Colia,” said the prince. “Can you do something for me? I must see Nastasia Philipovna, and I asked Ardalion Alexandrovitch just now to take me to her house, but he has gone to sleep, as you see. Will you show me the way, for I do not know the street? I have the address, though; it is close to the Grand Theatre.”“Why are you so unhappy, mother?” asked Adelaida, who alone of all the company seemed to have preserved her good temper and spirits up to now.
| “Yes, but how have I offended him?” repeated Hippolyte, still in the same jeering voice. “Why does he call me a screw? You all heard it. He came to me himself and began telling me about some Captain Eropegoff. I don’t wish for your company, general. I always avoided you--you know that. What have I to do with Captain Eropegoff? All I did was to express my opinion that probably Captain Eropegoff never existed at all!” |
“He has astonished me,” said Ivan Fedorovitch. “I nearly fell down with surprise. I could hardly believe my eyes when I met him in Petersburg just now. Why this haste? That’s what I want to know. He has always said himself that there is no need to break windows.”
| What did he think of all this time, then? What did he wish for? There is no doubt that he was a perfectly free agent all through, and that as far as Nastasia was concerned, there was no force of any kind brought to bear on him. Nastasia wished for a speedy marriage, true!--but the prince agreed at once to her proposals; he agreed, in fact, so casually that anyone might suppose he was but acceding to the most simple and ordinary suggestion. |
| “There,” explained the prince, with great delight and animation, “there, that’s the abbot’s real signature--from a manuscript of the fourteenth century. All these old abbots and bishops used to write most beautifully, with such taste and so much care and diligence. Have you no copy of Pogodin, general? If you had one I could show you another type. Stop a bit--here you have the large round writing common in France during the eighteenth century. Some of the letters are shaped quite differently from those now in use. It was the writing current then, and employed by public writers generally. I copied this from one of them, and you can see how good it is. Look at the well-rounded a and d. I have tried to translate the French character into the Russian letters--a difficult thing to do, but I think I have succeeded fairly. Here is a fine sentence, written in a good, original hand--‘Zeal triumphs over all.’ That is the script of the Russian War Office. That is how official documents addressed to important personages should be written. The letters are round, the type black, and the style somewhat remarkable. A stylist would not allow these ornaments, or attempts at flourishes--just look at these unfinished tails!--but it has distinction and really depicts the soul of the writer. He would like to give play to his imagination, and follow the inspiration of his genius, but a soldier is only at ease in the guard-room, and the pen stops half-way, a slave to discipline. How delightful! The first time I met an example of this handwriting, I was positively astonished, and where do you think I chanced to find it? In Switzerland, of all places! Now that is an ordinary English hand. It can hardly be improved, it is so refined and exquisite--almost perfection. This is an example of another kind, a mixture of styles. The copy was given me by a French commercial traveller. It is founded on the English, but the downstrokes are a little blacker, and more marked. Notice that the oval has some slight modification--it is more rounded. This writing allows for flourishes; now a flourish is a dangerous thing! Its use requires such taste, but, if successful, what a distinction it gives to the whole! It results in an incomparable type--one to fall in love with!” |
| “Four years! and I was in the same place nearly all the time,--in one village.” |
| She fell back into a chair, and burst into tears. But suddenly some new expression blazed in her eyes. She stared fixedly at Aglaya, and rose from her seat. |
“I say A. N. B., and so it shall be!” cried Aglaya, irritably. “Anyway, the ‘poor knight’ did not care what his lady was, or what she did. He had chosen his ideal, and he was bound to serve her, and break lances for her, and acknowledge her as the ideal of pure Beauty, whatever she might say or do afterwards. If she had taken to stealing, he would have championed her just the same. I think the poet desired to embody in this one picture the whole spirit of medieval chivalry and the platonic love of a pure and high-souled knight. Of course it’s all an ideal, and in the ‘poor knight’ that spirit reached the utmost limit of asceticism. He is a Don Quixote, only serious and not comical. I used not to understand him, and laughed at him, but now I love the ‘poor knight,’ and respect his actions.”
“Yes, _seriously_,” said the general, gravely.
“Yes, but the prince can, because he is clever--cleverer than you are by ten or twenty times, if you like. There, that’s so, prince; and seriously, let’s drop the donkey now--what else did you see abroad, besides the donkey?”“I’ll tell you afterwards,” he said quietly.
“How? When?”
“When I do go to bed I shall never get up again,” said Hippolyte, with a smile. “I meant to take to my bed yesterday and stay there till I died, but as my legs can still carry me, I put it off for two days, so as to come here with them to-day--but I am very tired.”The prince blushed and broke off, without finishing what he meant to say.
“No one ever tormented you on the subject,” murmured Adelaida, aghast.
| Gania seized his head with both hands and tottered to the window; Varia sat down at the other window. |
“DEAR COLIA,--Please be so kind as to give the enclosed sealed letter to Aglaya Ivanovna. Keep well--Ever your loving,
“Oh, let her alone, I entreat you!” cried the prince. “What can you do in this dark, gloomy mystery? Let her alone, and I’ll use all my power to prevent her writing you any more letters.”
| “Yes, I got it,” said the prince, blushing. |
All three of the Miss Epanchins were fine, healthy girls, well-grown, with good shoulders and busts, and strong--almost masculine--hands; and, of course, with all the above attributes, they enjoyed capital appetites, of which they were not in the least ashamed.
| “Well, really, you know”--(silence)--“of course, you know all this is very strange, if true, which I cannot deny; but”--(silence).--“But, on the other hand, if one looks things in the face, you know--upon my honour, the prince is a rare good fellow--and--and--and--well, his name, you know--your family name--all this looks well, and perpetuates the name and title and all that--which at this moment is not standing so high as it might--from one point of view--don’t you know? The world, the world is the world, of course--and people will talk--and--and--the prince has property, you know--if it is not very large--and then he--he--” (Continued silence, and collapse of the general.) |
The prince continued to regard Nastasia with a sorrowful, but intent and piercing, gaze.
“Yes.”
| “I have lost four hundred roubles out of my side pocket! They’re gone!” said Lebedeff, with a sour smile. |
“‘Why, what on earth can have possessed you to come and see _me_, Terentieff?’ he cried, with his usual pleasant, sometimes audacious, but never offensive familiarity, which I liked in reality, but for which I also detested him. ‘Why what’s the matter?’ he cried in alarm. ‘Are you ill?’