“Scolding as usual, Varia! It is the worst thing about her. After all, I believe father may have started off with Rogojin. No doubt he is sorry now. Perhaps I had better go and see what he is doing,” added Colia, running off.
The general stopped, turned round, raised his hands and remarked: “My curse be upon this house!” “Yes. It really would be happier for him to die young. If I were in his place I should certainly long for death. He is unhappy about his brother and sisters, the children you saw. If it were possible, if we only had a little money, we should leave our respective families, and live together in a little apartment of our own. It is our dream. But, do you know, when I was talking over your affair with him, he was angry, and said that anyone who did not call out a man who had given him a blow was a coward. He is very irritable to-day, and I left off arguing the matter with him. So Nastasia Philipovna has invited you to go and see her?” The fire, choked between a couple of smouldering pieces of wood, had died down for the first few moments after the packet was thrown upon it. But a little tongue of fire now began to lick the paper from below, and soon, gathering courage, mounted the sides of the parcel, and crept around it. In another moment, the whole of it burst into flames, and the exclamations of woe and horror were redoubled.“I was glad for the poor fellow, and went home. But an idea got hold of me somehow. I don’t know how. It was nearly two in the morning. I rang the bell and ordered the coachman to be waked up and sent to me. He came. I gave him a tip of fifteen roubles, and told him to get the carriage ready at once. In half an hour it was at the door. I got in and off we went.
| “One word, just one word from you, and I’m saved.” |
| In a quarter of an hour or so Prince N. and Evgenie Pavlovitch and the old dignitary were hard at work endeavouring to restore the harmony of the evening, but it was of no avail, and very soon after the guests separated and went their ways. |
“Ah, yes. Well, did you read it, general? It’s curious, isn’t it?” said the prince, delighted to be able to open up conversation upon an outside subject.
| Of course, after this, Aglaya went with the rest. In fact, she had never had the slightest intention of doing otherwise. |
| After this performance, he smiled sweetly and left the room on tiptoe. |
“Oh no, oh no!” said the prince; “I couldn’t, you know--my illness--I hardly ever saw a soul.”
Though Rogojin had declared that he left Pskoff secretly, a large collection of friends had assembled to greet him, and did so with profuse waving of hats and shouting.
“I know very well that he does deceive me occasionally, and he knows that I know it, but--” The prince did not finish his sentence.
“Oh, very well! if it’s improbable--it is--that’s all! And yet--where should you have heard it? Though I must say, if a fly crosses the room it’s known all over the place here. However, I’ve warned you, and you may be grateful to me. Well--_au revoir_--probably in the next world! One more thing--don’t think that I am telling you all this for your sake. Oh, dear, no! Do you know that I dedicated my confession to Aglaya Ivanovna? I did though, and how she took it, ha, ha! Oh, no! I am not acting from any high, exalted motives. But though I may have behaved like a cad to you, I have not done _her_ any harm. I don’t apologize for my words about ‘leavings’ and all that. I am atoning for that, you see, by telling you the place and time of the meeting. Goodbye! You had better take your measures, if you are worthy the name of a man! The meeting is fixed for this evening--that’s certain.”
“And what shall I tell him by way of answer?”And again he stood like a log in the middle of the pavement; so amazed that his mouth remained open after the last word had left it.
III.| “Hey! look at it, it’ll burn in another minute or two!” cried Nastasia Philipovna. “You’ll hang yourself afterwards, you know, if it does! I’m not joking.” |
| “Not about the theft.” |
“I go to see her every day, every day.”
But here he was back at his hotel.
| “A-ah! if he is to be under special patronage, I withdraw my claws.” |
“You see, Lebedeff, a mistake here would be a dreadful thing. This Ferdishenko, I would not say a word against him, of course; but, who knows? Perhaps it really was he? I mean he really does seem to be a more likely man than... than any other.”
“She is mad, insane--I assure you, she is mad,” replied the prince in trembling tones, holding out both his hands mechanically towards the officer.
| Poor Lizabetha Prokofievna was most anxious to get home, and, according to Evgenie’s account, she criticized everything foreign with much hostility. |
“Why so?” asked the prince uneasily.
| “Why should I? I’ve given you the message.--Goodbye!” |
“Oh, of course it’s nothing but humbug!” cried Gania, a little disturbed, however. “It’s all humbug; the young merchant was pleased to indulge in a little innocent recreation! I have heard something of Rogojin!”
| “There,” explained the prince, with great delight and animation, “there, that’s the abbot’s real signature--from a manuscript of the fourteenth century. All these old abbots and bishops used to write most beautifully, with such taste and so much care and diligence. Have you no copy of Pogodin, general? If you had one I could show you another type. Stop a bit--here you have the large round writing common in France during the eighteenth century. Some of the letters are shaped quite differently from those now in use. It was the writing current then, and employed by public writers generally. I copied this from one of them, and you can see how good it is. Look at the well-rounded a and d. I have tried to translate the French character into the Russian letters--a difficult thing to do, but I think I have succeeded fairly. Here is a fine sentence, written in a good, original hand--‘Zeal triumphs over all.’ That is the script of the Russian War Office. That is how official documents addressed to important personages should be written. The letters are round, the type black, and the style somewhat remarkable. A stylist would not allow these ornaments, or attempts at flourishes--just look at these unfinished tails!--but it has distinction and really depicts the soul of the writer. He would like to give play to his imagination, and follow the inspiration of his genius, but a soldier is only at ease in the guard-room, and the pen stops half-way, a slave to discipline. How delightful! The first time I met an example of this handwriting, I was positively astonished, and where do you think I chanced to find it? In Switzerland, of all places! Now that is an ordinary English hand. It can hardly be improved, it is so refined and exquisite--almost perfection. This is an example of another kind, a mixture of styles. The copy was given me by a French commercial traveller. It is founded on the English, but the downstrokes are a little blacker, and more marked. Notice that the oval has some slight modification--it is more rounded. This writing allows for flourishes; now a flourish is a dangerous thing! Its use requires such taste, but, if successful, what a distinction it gives to the whole! It results in an incomparable type--one to fall in love with!” |
| There was a question to be decided--most important, but most difficult; so much so, that Mrs. Epanchin did not even see how to put it into words. Would the prince do or not? Was all this good or bad? If good (which might be the case, of course), _why_ good? If bad (which was hardly doubtful), _wherein_, especially, bad? Even the general, the paterfamilias, though astonished at first, suddenly declared that, “upon his honour, he really believed he had fancied something of the kind, after all. At first, it seemed a new idea, and then, somehow, it looked as familiar as possible.” His wife frowned him down there. This was in the morning; but in the evening, alone with his wife, he had given tongue again. |